Workshop

It’s Kino Weekend! It started last night with chanting and a demonstration (which I couldn’t attend because I was working at the soup kitchen) and continued with Mysore-style practice this morning (which I had to opt out of because I teach on Saturday mornings). But I did make it to the afternoon strength workshop.

I took copious notes during the workshop and I’ve transcribed these, trying to flesh them out with details and some context. I didn’t make any videos or take photographs during this first workshop.

From the opening remarks:

-Strength comes from Shraddha (Sanskrit for faith). Strength is a decision of the mind.
-The hips contain our centre of gravity so when we shift them radically in space, our balance is destablized and that’s where much of the fear comes from.
-You whole body is a network. There is a synergistic effect; the whole body *must* participate

Setting up the structure - building a strong plank

Come into Table Pose (on your hands and knees):

1) Wrists aligned under shoulders, wide fingers ‘clawing’ the floor (rooting down particularly through the mound of the index finger)
2) Creases of the elbows are angled at 45 degrees forward
3) Gaze is at the floor, chin moves away from the chest
4) Broaden the collarbones, pull the shoulders back (the shoulderblades move down the back)
5) Inhale, as you exhale pull the sternum up into the space between the shoulderblades
6) Inhale, as you exhale, pull the lower ribs down and together to close off that space (action of the serratus anterior muscles)
7) Engage Uddiyana Bandha
7) Tuck the tailbone. From this action, step the legs back one at a time to a plank position (you’ll feel a sense of lift through the length of the body)

(From here, we worked with partners. Once the ‘structure’ was set, we leaned onto our partner’s upper back (near the shoulderblades) to test the stability, both in Table Pose and Plank).

‘Up’ happens! (Jump back/through)

The first step is to build a foundation, a structure. Then you can move forward into that foundation and ‘up’ happens!

This is your mantra when moving your pelvis in space: I SEND MY PELVIS FORWARD (she repeated this again and again, and applied it to *everything*, even in some movement where it seemed counterintuitive).

The key to these exercises is taking it very slowly and ‘walking’ the feet in tiny tippy-toe baby-steps instead of actually jumping (even if you already can). The goal is to maintain the ‘structure’ created in Table Pose (above) and initiate movements of the pelvis from this base of strength.

Jumpthroughs:
1) Set up the structure (Table to Plank, as above)
2) Walk the feet forward, moving the pelvis forward until the feet bump up to the arms/hands
3) Wiggle the feet through (I found this was the most difficult part!)
4) LIFT, extend the legs forward
5) Lower down with control

Jumpbacks:
1) From Dandasana, bring the hands about one hand-length forward of the hips
2) Shift the weight forward and lift up. Send the pelvis forward, as in, sending the pelvis back and then UP in a circle (as if you would lift into a handstand)
3) Wiggle the feet back through the arms
4) Lift just one foot up (the other can remain on the floor), then bend the arms (as in Chaturanga)
5) Step the feet back one at a time, then straighten the arms

Jumping from Bakasana into Chaturanga: Same principles apply: I SEND MY PELVIS FORWARD. The pelvis moves up and forward (as if to lift into a handstand) but then shoot the feet back.

Sirsasana (Headstand): It was interesting to see Kino’s ‘mantra’ applied there. When I do the pose, I really do ‘send my pelvis forward’. This allows me to shift my centre of gravity towards the floor in front me and my legs float up smoothly. I apply the same technique to coming down. When I teach it, I encourage my students to work with gravity by moving the pelvis forward to offer a counter-weight to the legs, allowing the legs to lift (I guess my mantra is: “Gravity is your friend’. How Newtonian of me!).

Handstand: Same principle as headstand (but it’s SO much harder - at least for me!). Kino explained that it doesn’t matter if you can’t lift up into a handstand right away. Even if you ‘send the pelvis forward’ and keep hovering on your tippy-toes, you’re building the strength that will allow you to eventually lift up. Kino told us that this is what she did this for 5 years before she she was able to lift.

She’s not a fan of using a wall for handstands (or any balances) because the body begins to negotiate balance based on the wall and you can become dependent on it. (I can vouch for this from my experience with headstand). Instead, work in the middle of the room most of the time and perhaps try the support of the wall once a week.